Songs of Labor and Transcendence: The Trianon Press Archive
Spring 2019-Fall 2019, McHenry Library, University of California Santa Cruz
Exhibition for the The Elisabeth Remak-Honnef Center for Archival Research and Training (CART) Fellowship
Housed in UCSC’s McHenry Library, the exhibition showcased Trianon Press’ prolific publications, their meticulous production process, partnerships, and the work of the many individuals involved in the Press and the archive from its beginnings in Paris to the completion of its processing at UCSC. The exhibition was designed and curated by graduate student CART fellows Jessica Calvacino, Hannah Newburn, Nicholas Whittington, and myself, Morgan Gates, under the supervision of CART Archivist Alix Norton and Outreach and Exhibits Librarian Jessica Pigza.
View the digital exhibit component, “A Timeline of Labor and Transcendence: the Digital Trianon Press Archive” on the UCSC CART website here.
Digital Humanities Initiative Showcase
Spring 2017, San Diego State University
“Circles and Links: Tenderly Unbuttoning Heteropatriarchal Reading and Writing Practices”
Created on the open-source html platform Twine, this project examines Gertrude Stein’s Tender Buttons and understands this text as a feminist and queer writing practice that resists linear thinking and dominant, patriarchal traditions in poetry. With its focus on domestic objects and a narrative style that recursively circles about them, this text uses language differently than that which readers are accustomed. Reading Stein, means learning to read differently. Writing about Stein also requires learning to write differently, as I understand it. This project welcomes visitors inside its analysis of Stein and invites them to move around as they see fit. There is no straight linear essay to read but a networking of interrelated and linked sections organized around various concepts. The recursive patterns of revisiting and returning to passages that Stein’s text seems to invite are likened to hyperlinks, which is also to understand Stein’s work through and as a proto-digital text. Links appear in-text, and in this way they also invite readers to not not feel compelled to complete any one section at any time. It’s simple but aesthetically pleasing design (in my opinion, more pleasing to look at than a standard essay) argues for non-traditional and digital-born forms of scholarship. It also includes original digital photographs that echo domesticity. This interactive showcase allowed my to present my work alongside a variety of digital-born scholarship underway and completed at SDSU while allowing attendees to navigate my project.
LGBTQ “Queer Entanglements” Research Consortium
Spring 2016, San Diego State University
“Pleasing Papercuts: Masochism, Humor, and Misreading Kara Walker’s Silhouettes”
In this lightning talk, I presented my critical investigation of Kara Walker’s silhouette tableaus, particularly Gone: An Historical Romance of A Civil War as It Occurred b’tween the Dusky Thighs of One Young Negress and Her Heart. This work explores the queer potential of racial and sexual stereotyping in American visual culture by using masochism as a methodological approach to Walker’s use of humor and violence in the artist’s imagined depictions of Antebellum sexual history. The violent and disturbing sexual explicitness of her work radically argues against damaging fictions by deploying them. I demonstrate how humor and the silhouette medium of the tableau work masochistically to create ambiguous emotional affects in viewers that can easily result in a misreading. Misreading is, however, productive. This project inevitably served as the beginning of a chapter of my M.A. thesis.